One of the touchstones of my youth was listening to remakes of twenty-year-old songs, hearing my mother say "the original sounded better," and refusing to believe her. That was the eighties, and the songs being remade were either sixties' era songs or older.
As early as 1998, I should have seen that it would soon be the eighties' turn to get the remake treatment, when a mullet-wigged Adam Sandler starting poking fun at the era (in which he had clearly grown up) in his film, The Wedding Singer, which was set in 1985.
Twelve years after the Sandler movie, when everything from even the last year of the eighties is officially over twenty years old (and where the people born in 1980 are now turning 30), apparently people sitting up in Hollywood feel that the era is now officially ripe for the remaking. It's been in the works for some years, with such popular 80's properties as Transformers getting the big screen treatment and making a mint, but in 2010 the floodgates seem to have burst open, with everything from toys, TV shows and old B-movies getting either an adaptation, remake or sequel. Heck, even the Disney movie Tron, which bombed when it was first released in 1982 but which has generated a cult following since, will be followed up by Tron: Legacy, a sequel literally 27 years in the making.
To make a brief rundown of the films and properties getting the remake treatment, here are a few I've seen advertised over the last few months in no particular order: Clash of the Titans (based on the 1981 film), The A-Team (based on the popular TV series), The Karate Kid (based on the 1980s film series) and Poltergeist (based on the 1980 film). I remember watching the original Clash of the Titans.
Now, I have no intention of decrying the remake in general and bewailing the creative bankruptcy of Hollywood. That's just as tired and old as the people claim the remakes to be. Some of the films I truly liked have been remakes, including the Lord of the Rings films (there was a prior attempt to adapt J.R.R. Tolkien's saga back in the 1980s by adult-animation meister Ralph Bakshi)and Andrew Davis' 1993 film The Fugitive, starring Harrison Ford. Sometimes it works, and sometimes it doesn't. I'm not complaining, nor am I particularly happy to see it happening.
I just find it, well, in a word, funny to think that this day has come. So many of the things I enjoyed as a kid are so old they're getting made over with rock music and CGI. Boy this feels weird...
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