Monday, May 18, 2009

My Attempt to Untwist Trekkies' Panties

SPOILER WARNING: This is not a review; it is a discussion of certain key story elements of the new Star Trek film. Anyone not wanting to have plot points revealed before hand should steer clear of this post.

I am no Trek newbie. I was seven years old when Star Trek II: The Wrath of Khan came out and was old enough to feel sad when Spock, then played by Leonard Nimoy, sacrificed himself to save the crew of the Enterprise, and glad to see him return in Star Trek III: The Search for Spock. Of the ten movies that came before the 2009 film, described by some as a reboot, by others as a prequel and still others as a sequel, I've seen five in the theaters, and only eight overall (having missed the much reviled Star Trek V: The Final Frontier and the franchise-killing Star Trek: Nemesis). My favorites prior to the new film were the 1996 film First Contact, which actually featured the Next Generation cast of Patrick Stewart et al., and, of course The Wrath of Khan. I'm not a big fan of the original TV series and I may not have written dissertations on Trek (though I've heard that at least one has been written) but I think I'm fit to at least offer an opinion on why the new Star Trek film does NOT erase all of the previous ones from continuity.

As I understand it, time travel is not possible in the fanciful way it's been depicted in fiction, i.e. apparently, due to the laws of physics, it's not possible to go back, though it is theoretically possible to go far forward. Apparently H.G. Wells was correct to assert, as he did in The Time Machine, that one cannot travel back in time. Hence, the notion of traveling back in time will forever remain a fantastical one, the rules of which can pretty much depend on the writer.

In Star Trek, therefore, when the villainous Nero and Spock find themselves flung backwards in time after being sucked through a black hole it is revealed that they have altered the space-time continuum by their mere presence, and even more so by the acts of mayhem Nero perpetrates on the universe of the past, destroying space vessels and even an entire planet.

It is the course of the film that the young/new Spock (Zachary Quinto this time around) declares that because of Nero, the time-stream has been altered and that all of the characters' destinies have changed and are now completely unpredictable.

This has caused a bit of an uproar among some fans (who appear to be in the minority, considering that the new Trek film is reportedly on its way to becoming the most successful in the history of the franchise, even allowing for inflation).

Still, if for no other reason than I want to stand up for a movie I really enjoyed, more than I've ever enjoyed ANY Trek movie, I would like to try my hand at justifying my belief that what has been created is an alternate universe that runs parallel to the original continuity but does not replace it.

The key here is Spock, who appears both as a young man portrayed by Quinto and an old one portrayed by Nimoy.

First of all, Spock remembers the past that he knew; he remembered his friendship with Kirk, Scotty's transport theories and even what drove Nero to do what he did. Had his timeline been erased, he would not have remembered things the way he did and the writers could have just as easily come up with another story device for Kirk to learn of what happened, like Nero's monologue for example, or something else. Just as Nimoy is the link between the past and the present Star Trek in the real world, so is Spock the nexus between the original reality and the one that now runs parallel to it. Time travel to the past will never be real; there are no rules, let alone hard and fast ones, so the writers have a lot of room to play around, and they've played pretty well in my opinion.

Second, clearly director J.J. Abrams and his writers wanted to pay homage to what had come before; rather than have Spock recount the past in some cheesy Titanic-style flashback, they infused him into the story and kept him around when everything was finished rather than have him fade away to his own time or something like that.  This movie is a sequel because even though it's set in the past, the old Spock is right smack in the middle of it; for him, this takes place AFTER all of the old adventures in the first six movies (the seventh being the first of four Next Generation films), so the past is his future. It could have been a straight-up prequel, but the filmmakers were determined that it should not be so, hence the fascinating prequel-reboot hybrid feel to the whole affair.

Finally, it makes no sense that Abrams and company would go through all this trouble to woo new audiences but be completely and utterly oblivious to the built-in fandom that this franchise has accumulated over well over forty years. Trekkies are the last people on Earth they would want to alienate because theirs would be the first fannies in the seats. It's probably the main reason Nimoy was brought on board.

In short...of all the possible conclusions, given both the narrative devices and the imperatives behind them, the idea of a parallel universe is the most...logical.

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