I just picked up World War Hulk #3 (and two weeks after the release of #2, at that!), and although I enjoyed the artwork, I find myself having a problem with the progression of the story, so rather than go into the specifics of the issue (other than the art), I thought I'd discuss my misgivings about the direction of the story.
It's no secret that many were disappointed by the way Civil War turned out, with Captain America surrendering to the U.S. government even after he had Iron Man on the ropes, both physically and ideologically. All things considered, however, it must be said that the ending did give rise to a new and potentially very interesting status quo for the Marvel Universe, a development that was categorically promised by everyone at Marvel from the day the project was announced (as they do with every event).
What makes WWH different, and to my mind, worrisome, is that Joe Quesada has practically gone out of his way to say that this series is nothing more than a straight-up slugfest, a "light green sorbet." In short, it seems quite clear that this is not meant to be a status-quo shattering event; nobody's going to die, and nothing that occurs here is meant to have any serious ramifications for the rest of the Marvel line. Quesada and company have already said that WWH does not result in the post-Civil War status quo being reset in any way. Registration of superheroes will still be the norm.
So, when Hulk and his Warbound kick the collective ass of the Marvel Universe, round up all of the Marvel heroes and fit them with "obedience disks" and set them all up to do gladiatorial battle in Madison Square Garden, we the readers know that every single Marvel hero featured in these pages is walking out of there just fine.
So where does that leave the Hulk and the vengeance he has intended to wreak on Mr. Fantastic, Black Bolt, Dr. Strange and Iron Man?
I only hope Pak's imagination offers this story a resolution that doesn't feel like a cop-out or as anticlimactic as Captain America's surrender, because I don't see this ending well for the Hulk at all, and after everything the Hulk has been through, that just wouldn't feel right.
I am actually enjoying this series, but frankly I see Pak writing himself into a bit of a corner here, a trajectory that started as early as last year's Planet Hulk.
Well, as much as I hope the journey has a better end than that which I foresee, at least this series can boast some of the best art of any of the recent events. I submit that, all things being equal, meaning if there were no such thing as exclusive contracts or artists who couldn't meet deadlines, John Romita Jr. would still be the best artist for this project, so at the end of the day, Marvel can still put that feather in their cap.
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